Saturday 8th June 2019 – Istituto Anatomico, Aula CagnettoĠ9:00 C. Inauguration - Exhibition: “Inside the Form”,ĭrawings of the School of Artistic Anatomy Academy of Fine Arts, VeniceĢ0:30 Congress Dinner: Ristorante Isola di Caprera. The art of wax modelling in Venice’ġ9:00 Private Visit to the Museum Morgagni ‘From the Doge’s funeral masks to the children with no names. Tosa2, 1UAL – Gordon Museum, 2Accademia di Belle Arti di Venezia
‘The resurrection of wax as bronze: using the renaissance wax modelling techniques of Habsburg bell casting for a new statue’ġ7:00 R. Philip Neri and his veneration in convents of its Order in New Spain’ġ6:30 E. Bazarte Martinez, Instituto Politecnico Nacional, Mexico City ‘The Art of Ceroplastic, or Wax, Modelling in Mexico’ġ6:15 A. Miranda Razo, Master Artisan, Mexico City, licenciatura en Arte y Tradición, CMA, Cuernavaca, Morelos, Mexico ‘Wax Artefacts in the Kunstkammer of Archduke Ferdinand II (1529-1595) in Ambras Castle’ġ6:00 M. Schlegel, Kunstkammer & Schatzkammer, Vienna ‘The wax models of the Paduan Obstetrical Clinic’ġ4:45 K. ‘Plague: from paleopathology to wax modelling’ġ4:15 A. Galassi, Flinders University, Adelaide, Australia
‘What Ziegler did not provide: the embryological plate models of Amsterdam anatomist Louis Bolk (1866-1930)’ġ2:45 F. ‘The masks of Lorenzo Tenchini at the University of Parma: their legacy to the modern concepts of facial transplantation, additive layer manufacturing, and facial recognition algorithms’ġ2:15 L. Toni, Department of Medicine and Surgery, University of Parma School of Medicine ‘Travelling exhibitions and wax makers on the move: anatomies in early 19th-Century Barcelona’ġ1:45 R. Zarzoso, Museu d’Historia de la Medicina de Catalunya, University of Barcelona ‘Didactic objects, artworks or museum artefacts? A museological approach to wax modelling’ġ1:15 J. Barbagli, ANMS, Museum of Zoology and Natural History “La Specola”, University of Florence ‘The Anatomist’s Perspective: Ceroplastics and Anatomical Preparations in the context of Anatomo-clinical education’ġ0:30 F. Section of Human Anatomy, Department of Neuroscience, University of Padua, Italy ‘The Alice Gretner collection rescued from obscurity, repaired and soon ready to be used as always intended for Medical Education’ġ0:00 R. Edwards, Gordon Museum of pathology, Kings College, London He also works as a freelance video consultant filming and editing content for a myriad of artists.Friday 7th June 2019 – Palazzo del Bo, Archivio AnticoĠ9:30 W. He was on faculty at the Bates Dance Festival (2013/16). He has been a member of Doug Varone and Dancers since 2008 and acts as the company’s rehearsal director and media manager/archivist. Springer has performed for Alexandra Beller, Amy Chavasse, Heidi Henderson, the Metropolitan Opera Ballet, and Donnell Oakley, among others. She joined Doug Varone and Dancers in 2012 and acts as the company’s tour manager. They enjoy teaching stints at Gibney Dance Center and Mark Morris Dance Center and were honored to receive the 2015 Emerging Artist Award from their alma mater, the University of Michigan.īurley has performed with artists/companies Nancy Bannon, Shannon Gillen, Shannon Hummel/Cora Dance, the Metropolitan Opera Ballet, and Tami Stronach Dance, among others. Their choreography appears in the feature-length film Frances Ha (2013).
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They have enjoyed creating work for many university dance departments and professional companies throughout the U.S., including Zenon Dance Company in Minnesota this April. Since 2008, their collaborative work has been presented in NYC by Center for Performance Research (2016 Technical Residency recipients), DraftWork at Danspace Project, Movement Research at the Judson Church, University Settlement (2013-14 Artists-in-Residence), BAX/Brooklyn Arts Exchange (2011 Space Grant Recipients), DanceNOW (2011 Joe’s Pub Encore Challenge winners), the 92Y, and Triskelion Arts, among others.
Xan Burley and Alex Springer are Brooklyn-based performers, choreographers, teachers, and arts administrators. Part field study, part composed duet, this two-fold project aims to examine and develop movement signatures through mimicry and embodiment. Xan Burley and Alex Springer’s latest duet, You being Me being You and the Eye, reveals layered attempts at newness, at defining voice in all its forms. Xan Burley + Alex Springer / the Median Movement, photo by Scott Shaw
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